Tuesday , August 16 2022

Wag World & Wag & # 39; by Nick Brandt showing Lions, Elephants and Human-In Industrial Hellscapes



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"When people are thinking about Africa, they still think of this kind of huge, animal-friendly plants, "said Nick Brandt." They are thinking of desert. "

For Brandt, nothing else is true of the truth. The famous photographer, whose fifth project, This Empty World, this week, has gone to address the uncomfortable friction between the natural world and the human world for decades in its work.

This collection raises the emergency with a number of cinematic photos, harassing, and almost hurt, touches wild animals with a civilized way which often calculates for the viewer, especially one not used to how animals and people live in the same places in eastern Africa.

For Brandt, the assault was alarming-and at the same time, inspirational. In 2010, Brandt established the Big Life Foundation, an organization that hoped that it would be able to help protect Africa's wildlife in helping local people. Big Life employs hundreds of park keepers in the Amboseli, an extensive area, 2 million acres that overlap Kenya and Tanzania, where poachers have made local eliffant populations almost disappeared.

Indeed, much of Brandt's work highlights these elephants, confusing, confusing and scared, like their usual habitat.

But while pilling is a huge problem that threatens local wildlife, Brandt said that his work shows that more than bowling, the lack of adequate space for people and wildlife to co-exist pose trouble.

And it does not blame people.

"It's very important to understand that the people in the photos are not the attackers," he said. "It's not just animals suffering from environmental degradation. It's also poorly rural, environmental degradation reaches the most rural poor."

In this way, Brandt's work does not see the man as an enemy.

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