Monday , March 1 2021

Missing a girl finds her voice: Rachel Mairel, star Mrs. Maisel, on great roles – and controversial men | Television and radio



FiT is a bright, windy day in Paris and a maze of cordoned-off streets near the Seine has been taken back to the 1950s. Frank Sinatra's I Have Got the World has a String from the speakers, soundtracking the sound of ash movements, such as a multitude of things that claim to be shopping. It's around the type of crew that you'd expect to find on a movie that's generously budgeted. But here is the set of The Marvelous Mrs. Maisel, a comedy-hit Amazon about the adventures of a Jewish housewife that turns to an end, turning an incredible story humorist.

Even during the golden age of television, there were not many productions that would have the green light to film a handful of half-way scenes around the world, probably just for her hell (after a day after installing, it is not yet clear why the temporary relocation series from New York to the French capital would need). But Mrs Maisel is a winner of the streaming period. At Emmys this year, he took seven incredible awards together, finding his shower, Gilmore Girls's creator, Amy Sherman-Palladino, and minting a new star in Rachel Brosnahan, the woman responsible for bringing Miriam " Midge "Maisel is alive.

A few months after the film was shot in Paris, Brosnahan is sitting in a guest room in London, a vision of shame to polish with perfect waves, first flower dress and a tendency to laugh in breath after most responses. The 27-year-old is illegal – anxious that we can be hungry and explain that she always keeps a snack supply at all times – and very quickly, expressing wild enthusiasm for everything from Enid Blyton's books to & # 39; w teachers of secondary school drama. She even has the ability to spray something as serious as a Brett Kavanaugh hearing – full at the time of our interview – with a great dose of optimism. "I had overcome all the conflicts of these conflicts immediately," he said. "Angry and sad, and also inspired and hoped for the future of our whole country at the same time."

Brosnahan in term two of The Marvelous Mrs. Maisel.



Brosnahan in term two of The Marvelous Mrs. Maisel. Photograph: Nicole Rivelli / Amazon

This is truly something that Brosnahan has in common with his character – Midge Maisel is not like a human woman as much as an excited attitude of walking, talking conversations. When we first meet her, she is the platonic ideal of a mid-20th century midwife house, who lives up to the standards of patriarch with a merry commitment, obsessively measures her puddles and disappearing out of bed in the small hours to make her composition so she can beat her husband to think she woke up like this. Even after that husband, Joel, turned her life into a click by leaving her for her secretary, she re-invented her into a new new career as a story comedian, gracing jokes for sex standards and double standards with self-confidence and amazing charisma.

Brosnahan seems to be a little more under authority than to change me in the 1950s – she's very worried, for example, to be "elled to" if she'll give it a & # 39; The best of any obstacle to the second series of Mrs Maisel, which is available to streamline in early December – but the couple share a lively optimism that feels like the most American thing on the planet.

Perhaps that is why it's surprising to find that Brosnahan is actually half British. Her mother grew up in Leeds and her parents met at the university in Brighton (she is not quite sure how her dad, from Missouri, came to an end there). Despite the couple settling near Chicago, the young Brosnahan spent most summer summers in the UK. She was childhood shaped by her loving parents' attitude towards her daughter's ambitions. "They were extremely supportive and encouraging, but by saying: We will not help you with that." As if I wanted to take a class, my dad would say: Well, well, you should get childminders so able to pay for that class, and you should take classes because you need to improve in this regard. "" There is a & It seemed to pay quickly: at 17, Brosnahan was acting professionally after scoring a part in the horror of Gary Oldman, the disadvantage … But his expansion role came – he received his nomination Emmy first – in 2013, when she started playing Rachel Posner a former sex worker at House Cards.

On that subject, the uber-jolly Brosnahan person starts to disappear. His face falls when I ask if she is distressed about the way the Kevin Spacey scandal has disappeared the House of Cards legacy. "We had never had a look together. I had been off the show for a couple of years," he said, a fact that appears to be repetitive. "I've been on the show for a long time now, since the third season," she explains very slowly, turning her back until she puts a positive angle on the incredible topic This is the fact that Netflix has commissioned a final series to tie free end. "There are so many gorgeous, talented, generous people who work on that show that has poured their hearts and souls, so I'm delighted they have to finish the story of the way they wanted do it. "

Spacey is not the only controversial figure she has crossed paths with her. In January, the headlines announced that Brosnahan had said she was keen to work with Woody Allen on her Amazon 2016 And Crisis series in Six Scenes, a presumption based on her comments that the show was "the decision I've had & To do it in my life, which is the most inconsistent with everything I stand for and believe in. " Today she denies that she is a bit of the role. "I try not to use the word for anything in my life," he said. "What I said was that, when I looked back, had been involved in this moment, it is important for me to make different decisions that better reflect who I am. " Does she say he would not take that part yet? "Well, if the same project came to me today, I can not really … … all I can say is that, as I move forward, it's important for me to be true to whom I am now." She's tired for a while, but it's clear that she does not want to close that particular door, wisely to the career.

And I feel I've read the same part in 1,200 scripts - love someone who knows but does not know. & # 39;



And I feel I've read the same part in 1,200 scripts – love someone who knows but does not know. & # 39; Photograph: Suki Dhanda and Guardian

For someone who is so involved in politics – at the time of our interview, his Instagram page involves calls to supporters in the United States to vote in the mid-term elections – Brosnahan is very comfortable about expressing political opinion, and she can not even bring her to tell who she is voting for (though she strongly suggests that she is faithfulness with the Democrats). In the summer, she stopped saying Emmy with what she sounded like a rally feminist crying, encouraging women to voice her voting on the poll, just as Midge is in. make his sight of the world known in the Main Maisel. But he seems very eager that his comments should not be interpreted as such. "I did not intend to do that, therefore," he said. "I mean it's about a woman to find her voice, but people find a voice – women should vote, but everyone should vote."

Brosnahan's reluctance to express even the least political scenes – and a decision to abolish – is reflected in the show where she is. In fact, one of the most notable and enjoyable aspects of The Marvelous Mrs. Maisel is that he presents a very ambitious portrait of empowering women. There is no genius with the capital Universe in the Midge. "This woman and woman's performance is something that makes her feel good, it's really true to her," he said, echoing the refusal of the show to # 39; w judge for taking pleasure in leaving the calls of society. Maisel could be proto-Joan rivers in terms of its comedy – laughing mining of the double and man-made standards faced by men – but it was important for the show makers that this is an organic response to life experiences ( that is, her husband refuses) rather than anything in dogmatic. That may be uncomfortable and a backup step with this character is strange and somewhat self-obsessive. "She does not think of any of this in a political context – she only thinks of it as it applies to," explained Brosnahan.

Perhaps this is not a pruning collection of innovative values, but what makes The Marvelous Mrs. Maisel feel exciting and forward-looking is to portray a multi-dimensional female character, contradictory and self-guiding. It's worth remembering how rare this is left: Brosnahan admits that it is desperate to win the part after being frustrated by the one-dimensional characters that she is asked to hear about. "I feel that I've read the same part in 1,200 scripts – the love of someone who's pretty much but does not know it. There is nothing that makes a woman strong or open to harm or any type of word you could use to describe. It's complex and we should show that. "

Thanks to The Marvelous Mrs Maisel slippery feminist, Brosnahan has already ensured that it is part of a huge breath to that address.


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