His opinion of things has changed since he was in a wheelchair, says Bernardo Bertolucci. Now he's back with the children. "I do not have to pretend to find out how they see the world." As he spoke, he stopped inaccurate. Then, almost secondary, rolled across its wide flat corridors in London. He wanted to show how fast he was.
That was in the autumn of 2013. Bertolucci's new "Me and You" film came to German cinemas. The director then 73 gave an interview in London and invited her home. He had had surgery back ten years earlier. Failed, from now on, the director had to lead life in a wheelchair. In fact, he was thinking of giving the best to make films and writing poetry in the future, he said.
Then he came across Nicolò Amiditis's novel "Me and you", where a 14-year-old 14-year-old is a flat apartment basement. Controlled chamber play, close. "I think I should try that, I can fix that, I do not have to jump around and maybe I can better understand an adult if I do not look down on it."
Bertolucci looked proud as he spoke for almost two hours about his life and films. He became muddy when he told us how he had kissed the director, Jean Renoir, at the head and this smelled as his father at the moment. He laughed loudly when he told how he led Gérard Depardieu and Robert de Niro in his "1900" (1976) movie to kit each other naked in front of the camera. From time to time during the conversation, the wife of Bertolucci came in, the British director and secretary Clare Peploe. He asked how he was doing and brought him cigarettes.
"My movies have a lot to do with me," he said. "When I shot the Last Tango in Paris, I wanted to cross boundaries no matter how." And basically he still wants that. Some time ago they took a new season: claustrophilia. Tightness should not be oppressive at all. Border crossings may be possible anyway in enclosed rooms only.
After referring to Sigmund Freud
"The Tango Last in Paris" (1972) played a chamber. Bertolucci spoke about America in his late thirty (Marlon Brando) and a half-aged Frenchwoman (Maria Schneider) who starts a relationship in an empty apartment. The sex scenes of the film caused a scandal, in Italy, Brando and Bertolucci were convicted of "indecent" to prison sentences on trial.
In one scene, Bertolucci shows the branding and weight of Schneider that bends Brando that it drives its analytical. Later, Schneider accused the director of abuse. She did not know about the scene in advance. "I've never had the opportunity to ask for their forgiveness," he said in London for the actress, who died in 2011, but sounds more gracious than regenerating (Read here a text on why a productive and progressive attitude in "The Tango Last …" is so close to each other.)
For Bertolucci, cinema was a colorful art. Watching a movie like watching your own parents gets sex, was his dogma. A good movie shows the characters constantly in situations where no, "you or me" would not like to be watched by others. The sharp lenses available to him, according to Bertolucci, came from Sigmund Freud.
The work of the director is greatly influenced by psychico-analysis. Fairly a man, he told an uncommon relationship, of sons who love their mothers and kill their fathers. For a quarter of a century, Bertolucci went to the analysis. In the "Last Tango", he even wanted to include his analyst in the opening credits that the screen was written "in large parts on the sofa".
Originally, he was born in Parma, Liaison, son of a teacher and author. He grew up among peasants, but many more wanted to be part of the working class or upper bourgeoisie. He was pleased to say in London how he talked millions of dollars from an American movie studio to create a cinematic monument to Communism in "1900".
But he probably always focuses on his own obsessions to be a director of social utopies. His characters prefer to retire from the street and they can often be well understood. Bertolucci asks what we would do with life if we could avoid every authority. It shows what happens when people take all freedoms.
He even goes down in the cellar, even in a wheelchair, he says and looks quite convincing. "I did not go to Lourdes," he said. "But you'll see a happy man before me, shooting a movie is good for me, so I do not think I'm in a wheelchair."