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12 Great World Publications, Among the New York Times, Financial Times, The Guardian and Los Angeles Times, Praise A Thing Done in Romania | News, Romanian News | Freedom



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  • Articole publication în ultima săptămână în The New York Times, Financial Times, Los Angeles Times, Boston Globe, Chicago Tribune, Washington Post, San Francisco Chronicle (USA), The Times, The Telegraph, The Guardian, Daily Mail (UK), The Globe and Mail (Canada).

Tom McCarthy, the director of the Oscar-winning film Spotlight, will today present the Romanian documentary “Colectiv” to the American public, at an online event. Also on Friday, Alexander Nanau’s film is being released in the UK and Canada.

12 major publications in the world, including the New York Times, Financial Times, The Guardian and Los Angeles Times, praise something done in Romania
The Guardian, Daily Mail și The New York Times

The responses of the international press before this release begin with praise for Romanian cinema, which, according to the world’s leading newspapers, has managed to be at the forefront of filmmaking in decades of work, through extraordinary realism.

“Truth has power”

Journalists report that director of the documentary “Colectiv”, Alexander Nanau, joins Cristi Puiu, Cristian Mungiu, Corneliu Porumboiu and other creators of the new wave, “non-Hollywood” world storytellers, as does the Financial Times writes

Despair still reigns here. But let us know, the real power is, at least, in Romania, three decades after Nicolae Ceausescu.

Danny Leigh, Financial Times:

Financial Times and The Guardian give the movie “Collective” a 5 out of 5. The daily British Times sees the Romanian documentary as the best film for journalism by “All the President’s People”, while The Globe and Mail, from Toronto, claim that the art of cinema was equally dedicated to idealizing the importance of journalism as in “Collective”.

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“Almost unbelievably visionary”

Journalists in the US, UK and Canada believe that the message is “collective” in general and links to what people are experiencing even in more advanced health systems.

12 major publications in the world, including the New York Times, Financial Times, The Guardian and Los Angeles Times, praise something done in Romania

“In November 2020, eight months after the COVID-19 pandemic devastated the United States, there is no doubt, speaking of the real dangers that arise when the government lies to its citizens in a public health crisis, this movie is almost unbelievable to watch, and a story of caution that has been seriously ignored “, writes the Chicago Tribune about the documentary made by Alexander Nanu and whose team included Antoaneta Opriș (screenwriter), Mihai Grecea and many others.

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A captivating, penetrating and surprisingly powerful “Collective” in the documentary of the year is easy.

Katie Walsh, Chicago Tribune:

Humanism and collective civic movements of victims

The common denominator of all publications is the praise of the courage of the victims of abuse in Romanian politics and the health system, the serious and ominous form of what is happening, on a different scale, around the world.

Hospital workers are praised, the sources who openly discuss the problems in the system.

Dozens of articles speak of the determination of women and men in Romanian society who oppose “the depths of this corruption, which has produced cynicism and despair of soul-crushing, among leaders and citizens” (Los Angeles Times).

The contribution of whistleblowers did what the San Francisco Chronicle calls: “Journalists’ relentless effort to expose corruption.”

The danger of staying with the changes “at the top of the iceberg”

At the same time, change, no matter how continuous, is not just a matter of some people, but a choice of the people, any people, if they want it, write the international press about “Collective” .

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Without citizen participation, as The Telegraph journalists noted, “everything looks epic at first, but the implications in Romania are short-term”.

And if the fighting continues in the hands of “small groups of drunken people, sleep deprived and putting their heads together”, then “such fighting will be limited to the tip of the iceberg . ”

The Telegraph:

The New York Times: “We need stubborn, angry people – journalists, politicians, artists, activists”

“Some documentaries assure you that the world is better when they are over (injustice has been uncovered); others insist it might be better (call the number listed to find out how). “Collective” does not offer such palliatives. Instead, he sketches an honest, affective, somewhat utopian and outdated example of what it takes to make the world better or at least less terrible. ”

The arc of the moral universe can lean towards justice. But, as «Collective» presents with distressing detail and a sense of decency, deep and emotional, it takes stubborn, angry people – journalists, politicians, artists, activists – to knock on that arch until it begins to bend, maybe in the right direction.

Manohla Dargis, The New York Times:

I would have liked to know how a sports newspaper, Gazeta Sportulor, which usually features football teams in its headlines, has built such an incredible research team ”.

The Guardian: “It’s also a warning to us”

“The surplus that came from taxpayer taxes contained the pockets of some private individuals in what you might call the Romanian pharmaceutical-government complex,” wrote the British newspaper The Guardian, using the classic metaphor of the “military-industrial complex” denied by US President Eisenhower. The Guardian has written twice about the Romanian film “Colectiv” in the past week.

There was a moment when I felt like peeing under my chair: when the journalists from Gazeta Sportulilor were shown a secretly filmed video, with worms struggling to get a wound ineligible. If it were in a fictional film, the metaphor would be dismissed as too obvious.

Peter Bradshaw, The Guardian:

“In part, Colectiv refers to the terrible authoritarian skills that survived Ceausescu’s fall in Romania; in part, it’s about the huge money that has to be collected, in the style known in Moscow, through the exploitation of national assets ”.

“It’s also a warning to us (No – United Kingdom), about how delicious a public health system is for a certain type of well connected businessman whose motivation is to save money and mark the profit ”.

Los Angeles Times: “The brilliant and scandalous” Collective “documentary about the Romanian health system is a must-see event in the COVID era”

“A year ago,“ Colectiv ”ran as a factual drama, a journalistic thriller built using film about the political system. Seen now, during the worst global health crisis in more than a century, the way Nanau exposes medical negligence and pharma corruption feels like a bleak warning, a precursor to a real-life horror film that n still ongoing. deployment ”.

If “The Death of Mr. Lazarescu” was a play that unfolded with unrivaled realism, “Collective” is a documentary punctuated by the urgency of a thriller.

Justin Chang, Los Angeles Times:

The COVID-19 pandemic served as a metaphorical x-ray, revealing socioeconomic differences and vulnerabilities in the response to crises in countries around the world, and “Collective” focused its own laser piercing beam on the appalling health failures in Romania ”.

“You may recognize some of its symptoms in your own Government (no – the one in the USA): in systems that put profits above the welfare of patients, in explosions of nationalist rhetoric and in ambitious elections whose results suggest that some voters have an extremely selective relationship with the truth ”.

The Washington Post: “Corporate Greed and Government Complexity”

“A mix of tribal chauvinism and nationalist pride prevented patients from transferring to better-equipped incineration units in Austria and Germany; the result was a falsification of medical ethics, corporate greed and government complicity, leading to indescribable suffering and unnecessary loss of life.

Nanau made an informative documentary about a story that most Americans have never heard of and inflated enough to condense the petty and dishonest era of global populism.

Ann Hornaday, The Washington Post:

12 major publications in the world, including the New York Times, Financial Times, The Guardian and Los Angeles Times, praise something done in Romania
Financial Times, The Times and The Guardian, dedicated two articles to the documentary

Financial Times: “The oldest journalistic question is also victorious”

“The irony doesn’t go unnoticed that the task of confronting the authorities belongs to a sports newspaper, Gazeta Sporturilor. Old-school journalism methods are a triumph: stumbling through papers, slamming phones. The question oldest journalist also victorious: Why do these people lie? ”.

What killed them was their hospitals, the sanctuary of human life.

Danny Leigh, Financial Times:

IndieWire: “Democracy in the fight against itself”

“” Collective “starts off as one of the greatest films about journalism ever and then goes on, revealing democracy in the struggle with itself,” he writes. Eric Kohn in the IndieWire publication.

Daily Mail: “It will echo everywhere government officials lie”

“There are times when the coverage – the typical releases at the launch of one film or another – is not enough (…) With calm persistence and patience, these people (no – Romanian journalists) has succeeded – and watching them practice their profession makes your heart soar. There are times when comments are not sufficient. “

“It’s a documentary film of our era, which will echo everywhere where government officials lie in camouflaging their inability. And in all those places where reporters – the dizzy, dig and are not afraid to pick up the phone – are considered disposable products.

Ian Herbert, Daily Mail:

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