In November and December in Paris, the Ricar Art Foundation Gallery includes a decentralized contemporary art exhibition by the Latvian state "Barbars in Paris". The guiding principle of the exhibition is the creative work of the author of the author and the 1930s literary critic, Andrejs Kurts, author of the 1930s.
"We have invented that we want to contact France, directly to Paris. We have been several times to investigate, understand the artistic environment in France, to make connections," explained the exhibition curator Maija Rudovska why he was It takes a long time to develop – four years.
"It was not easy, because the artistic environment in France had to share, we need to find good links with which cooperation can be developed. It took two years, then we realized where the project was .When it was possible to attract a hundred years funding, it was obvious that we could realize and offer a French Side, "continues Rudovsky.
This is an extensive exhibition of contemporary art dedicated to Andrejs Kurtsis, a Latvian art therapist. His "Active Art" 1923 works as the basis for an exhibition that brings together Latvian and foreign artists recognized in Europe. The exhibition is visited by Tatiana Daneberga, Virgil Fraisse, Signe Frederiksen, Guillaume Maraud, Anna Stina Treumund, Viktors Timofeevs, Evita Vasiljeva.
Kuressaan's efforts to implement contemporary art in a new era in contemporary terms and contemporary expression expressions also incorporate the Barbars exhibition in Paris.
Moreover, the word "barbar" is not found as a conqueror, but as unpleasant. His disclosure is revealed in Kurzeme and in the work of the exhibition.
"In my opinion, this word [barbars] very poetic. In the context of literature, the word "barbarian", which dates back to the time of the Roman language under the Roman Empire, has created a very tough historical tier. In the book "Barbar in Paris" by André Curtis, we can find many references to the world's literature. Using poetry, he shares a personal experience but is done on a global scale, talking about problems that almost everyone can face: what does it mean to be a stranger? the city, how these feelings can affect creative personality, "said Barbara Syrjex, curator of the French exhibition.
"In preparing for this exhibition, we did not want to use the literal interpretation of the word" barbarians. "At the same time, the work included in the display is strong, they can leave the A viewer is also an aesthetic, not just physical effect. For example, Evita Vasiiljeva's work has a clear physiology; the work of Estonia, Anna Stina Treumund, is strongly influenced by the message he uses, as he refers to force and violence, gender roles; the work of the French author Virgil Fress interprets the causes of fear … The things we are trying to achieve are a variety of different emotions, from software and care, it may not be quite violent, but to one that can really affect us. Also, not only in physical emotional terms, "the display is characterized by Sirjeksa.
In the exhibition works, artists in different media talk to whether the artist in society is first of all a creative personality, or a citizen and society. Within the framework of the 1960s international cultural program, this exhibition can be characterized as a quiet daylight reflection.
Another film director, Joachim Hamo, reveals, in preparing for an exhibition, that artists are looking for their work in line with the location for "active art" that looks and tries to define their place in art and society in general.
So, the individual dialogue with each artist was very important in the creation of the display.
"We organized two workshops, where artists, philosophers, writers and historians were invited to talk about the possibilities of locating creative personality in today's society. Most of the work shown on the A special exhibition for it, and in my opinion, it has a clear influence on both workshops being spoken and to complete, and from the text of Andrejs Kurtsis "Active Art," explains Hamu.
The exhibition is one of the Latvian Ministry of Culture "Latvija100" initiatives, formed in association with kim? Contemporary Art Center Ricard fund and publish Paraguay Press. The exhibition can be seen until December 22.